REBEL MOON Director Zack Snyder Receives High Praise From Christopher Nolan

REBEL MOON Director Zack Snyder Receives High Praise From Christopher Nolan

Christopher Nolan and Zack Snyder have been friends for many years, and in a new interview, The Dark Knight director gave high praise to the Rebel Moon filmmaker...

By MarkCassidy - Dec 27, 2023 11:12 AM EST
Filed Under: Movies
Source: Via ComicBookMovie.com

With so many DC and Marvel Studios movies underperforming at the box office, it's getting more difficult to dismiss the notion of "superhero fatigue." Audiences certainly appear to be growing tired with the usual comic book movie formula, and it seems we can count one well-known filmmaker among them.

The Atlantic has published a new piece on Justice League and Rebel Moon director Zack Snyder, and the divisive filmmaker was asked about the current state of the superhero genre.

“I have the same fatigue,” Snyder responded, describing comic book adaptations as “a cul-de-sac,” which are no longer capable of telling self-contained stories. “No one thinks they’re going to a one-off superhero movie.”

Snyder, who kick-started what came to be known as the DCEU with Man of Steel before going on to helm two more films in the franchise, recently said he would return to finish his saga if Netflix held the rights, but it doesn't sound like he's in any rush to revisit the DC characters.

“I’m not knocking on James Gunn’s door, going, like, ‘Bro, shoot me one of those sweet movies,’” Snyder said. “The holy grail is some original IP that you create, that has resonance and is cool.”

Snyder did just that with Rebel Moon, and even though the first film, A Child of Fire, was pretty much torn to shreds by critics, it has been notching up a lot of views for Netflix, and along with Part 2: The Scargiver, comic books, spin-off shows, and even a video game are planned.

Despite Snyder's many detractors, he has a highly respected and influential fan in Christopher Nolan.

“There’s no superhero science-fiction film coming out these days where I don’t see some influence of Zack,” The Oppenheimer and Inception director, who has worked with Snyder several times as a producer, tells the site. “When you watch a Zack Snyder film, you see and feel his love for the potential of cinema. The potential of it to be fantastical, to be heightened in its reality, but to move you and to excite you.”

What do you make of Snyder's comments? Do you agree with Nolan's assessment of the director? Be sure to share your thoughts with us in the usual place.

From Zack Snyder, the filmmaker behind 300, Man of Steel, and Army of the Dead, comes REBEL MOON, an epic science-fantasy event decades in the making. When a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force, Kora (Sofia Boutella), a mysterious stranger living among the villagers, becomes their best hope for survival.

Tasked with finding trained fighters who will unite with her in making an impossible stand against the Mother World, Kora assembles a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds who share a common need for redemption and revenge. As the shadow of an entire Realm bears down on the unlikeliest of moons, a battle over the fate of a galaxy is waged, and in the process, a new army of heroes is formed.

The heroes of Rebel Moon are: Kora (Sofia Boutella), an Imperium deserter who leaves the peaceful Veldt to fight back; Kai (Charlie Hunnam), a mercenary pilot whose Tawau-Class freighter will prove invaluable to Kora’s quest; Gunnar (Michiel Huisman), a Veldt farmer who knows little of the galaxy outside of his small, quiet corner of the galaxy; General Titus (Djimon Hounsou), a hardened gladiator who once served the Imperium; Tarak (Staz Nair), a noble indentured servant who shares a bond with a flying creature called a Bennu; Nemesis (Doona Bae), a cyborg sword master whose mechanical hands allow her to wield molten-metal weapons; Darrian Bloodaxe (Ray Fisher), an insurgent who has been harrying the Imperium with guerilla attacks; and Milius (E. Duffy), a refugee who seeks justice for their home — a colony that has already fallen to the Mother World.

Rebel Moon: A Child of Fire hits Netflix on December 21. The sequel, Rebel Moon Part 2: The Scargiver, will debut on April 19, 2024.

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Forthas
Forthas - 12/28/2023, 5:06 AM
I am not sure I agree with Christopher Nolan. There have been a ton of comic book films that bear no resemblance to anything Zack Snyder has ever done. He would need to give me examples of what he is talking about. This could be a situation where Zack Snyder has been so maligned he is trying to prop him up. But Snyder deserves the negative criticism he gets.
Demigods
Demigods - 12/28/2023, 5:39 AM
@Forthas - so this is going to be a long reply, so if you have zero interest, no worries lol

I think Nolan is pretty spot on with this. That is not to say that Snyder is a "good" director, and I'd actually argue against it for a very specific reason.
Snyder has the potential to tell an incredible story and he's a master at creating and capturing visuals. He has a knack to casting what seems like a risk, but turns out almost perfectly for the story he's trying to tell (except for one notable exception). What Snyder fails on as a director, and this is a doozy, is his ability to concisely tell a story. That ability is not to be understated either. Snyder needs 3+ hours to make a good story, and when given that time, does a great job. However, that is a HUGE knock against him as a storyteller, as you can only keep people's attention for so long. He's not James Cameron or Christopher Nolan who can craft a story that takes 3 continuous hours to tell, yet keeps you engaged the entire time. Snyder, like most people, has a flowing style of storytelling, which does not lend itself well to 3-4 hour epics. The fact that Snyder has said, for most of his recent projects, that he needs an extended director's cut to tell the definitive version of his story proves that he cannot concisely tell a story well, which is a prerequisite skill for a good director to have. IF you cannot tell a story in 2.5 hours, you're not a good storyteller.

That being said, you can feel the passion that the man places in his work. The guy pours his heart and soul into his projects. Whether or. not he does these projects well are a different story altogether.

Personally, I feel he'd be best served by creating mini-series, instead of movies. It gives him the freedom to craft a 4+hour story and he tends to create those epics as episodic anyway.
Forthas
Forthas - 12/29/2023, 12:12 AM
@Demigods - Here is the thing...what does Aquaman, Shazam Fury of the Gods, Thor Love an Thunder, or Ant-man Quantumanium have in common with Zack Snyder's style? Whether or not Snyder is a good director is irrelevant so I agree with you that he is not in my opinion. But if Snyder uses the exact same techniques from film to film, then what is unique about it. He uses a lot of slow motion...so does Michael bay. Snyder has lens flares in his films...so does JJ Abrams. Snyders films are nihilistic but so is Josh Trank’s films. So unless they were ALL influenced by Zack Snyder then there is nothing to his films that has "influenced" another director. Chris Nolan influenced the genre far more than Zack Snyder. I think his best film is Man of Steel which has no slow motion, some lens flares, and it is not nihilistic and Nolan was a producer. I am on record stating I think Man of Steel is the greatest Superman film ever made and one of the top 20 best super hero films. I will defend Snyder when it comes to that. However, I think that Nolan restrained much of the identifiers of a typical Zack Snyder film in Man of Steel While Zack Snyder’s Justice League is a VAST improvement over the original and a movie I actually enjoyed watching probably on par with Wonder Woman (2017) yet still well behind Man of Steel (2013), one cannot take the context out of the equation. Most directors do not get to make (even partially) a film and then have the chance for a do over. In addition, it is a film that runs for four hours. Unlike the two part Avengers Infinity War/Endgame, there is no organic midway point to the Snyder Justice League signifying that Snyder cannot tell a concise story BECAUSE of his one true gift...visual presentation. He has to set up and linger on the visual effect to tell stories, making for long periods of just beautifully shot scenes. This movie successfully creates story arcs and action scenes that the first version failed miserably. It is great that Snyder got to finish the film but it does not change the damage done to the DCEU that at this point is irreversible. Once again Snyder is all style over substance. A close look at Snyder’s Justice League shows how sloppy he manages the super heroes and their abilities (Wonder Woman can move at super speed in the beginning of the film -disarming the terrorists- but can’t during the fight between Superman and Flash). In addition his fan service, just like in Batman v. Superman creates problems with motivations when comparing what characters say versus what they do (Should it not be implied that Martian Manhunter is a coward for not interfering in the previous earth threatening events). Then there is his vacillation between stressing plot points in one instance only to downplay it in another (For example the Amazons create a fort and have an army guarding a mother box suggesting its importance, but then the Atlanteans simply put it out on a pedestal in the open with five or so guards not to mention humans burying it a a one foot ditch). These bizarre responses to events take away from any type of sense of importance. I don't really see these things in other films and if they are there it is a negative influence.

So I am not sure what Christopher Nolan is referring to. Perhaps how films are shot is what he is trying to point out but it is not clear in Nolan’s response.
Demigods
Demigods - 1/23/2024, 6:48 PM
@Forthas - I think those are all very valid points. And I see what you're saying. Nolan does need to be a bit more specific in what he's talking about. And you're right that all of the Snyder staples are also staples of other well known directors.

totally agree about MOS too. I don't get the hate that movie generates. Even though superman kills in that, fans are forgetting that Superman forms that rule in the comics AFTER killing Zod lol. Anyway, my only gripe about MOS is that I wish he was a bit more seemingly hopeful, AND that I wish Superman was getting his ass kicked by Zod during that fight because he was focusing on saving as many people as possible the whole time, dividing his attention between Zod and collateral damage. The failures in that struggle would have made his decision to kill Zod all the critical and the moral dilemma more actualized.

The only thing I'd argue a bit in favor of Snyder is that he was probably one of the first directors to REALLY try to get the story comic-book accurate, even going shot for shot. His Watchmen and 300 are amazing adaptations of the source material. Watchmen, I'd argue is one of the most underrated CBM's of all time. Maybe that's a bit of what Nolan was talking about? I dunno tbh

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